Anne-Sarah Le Meur


3D Projects

- Aform
- Horgest
- In-BeesTw...
- Into the Hollow of...
    Where It Wants To...

Photos from reality

- Home lights
- Asies
- Mytable
- To rise
- Weary

Articles (all languages)

- Articles
- Quotations - references

Biography - CV


and Online References


Dominique Moulon, Plurality of Digital Practices, in Art the the digital Age, 18 January 2019, Partita project.

Marie-Laure Desjardins, De la fascination à la contemplation du rose, ArtsHebdoMedias, 9 January 2019.

Pauline Lisowski, "Rose Apothéose" : Trouble de la perception, in Inferno, 9 January 2019

Sébastien Bazou, Anne-Sarah Le Meur / Rose Apothéose, in Artefake, l'art de l'illusion, 20 November 2018.

Les lumières obscures d'Anne-Sarah Le Meur, words gathered by Anne Brandebourg (journalist and art historian), in Vallée de la Culture, Hauts-de-Seine Cultural Magazine, n°17, summer 2018, p. 24-27.

Une plongée séduisante dans l'abstraction en 3D
, by Alix Saint-Martin, Hauts-de-Seine department Magazine HDS Mag n°58, March-April 2018, p. 44-45.

Anne-Sarah Le Meur, Digital pioneer
, by Stéphanie Lemoinen in Journal des Arts · L'ŒIL, n°711, 1 April 2018.

NewsArtToday TV, Eric Patou, Video documentation on Immater exhibition, April 2016.

ArtsHebdoMedias, Samantha Deman, And Darness Becomes Refuge, February 2016.

ArtsHebdoMedias, Marie-Laure Desjardins, Red-funambulist, June 2014.

Quoted by Cécile Martin, « Screen Culture. Survey on Alternative Interactive Screen-Public Models », in « Expanded Cinema et art médiatique. Quelle politique du sensible ? », Symposium, Lyon 2 University, 2013.

Quoted by Alain Lioret et Pierre Berger, Generative Art. To play God. A Right ? A duty ?, 238 p, L’Harmattan, 2012.

ArtsHebdoMedias, Marie-Laure Desjardins, « L'intersection sensible » (the sensitive intersection), written interview in french, February 2012.

Beyond-Round, audio-visual interview in english
, Institute for Visual Media, ZKM, Karlsruhe, Germany, September 2011.

Catherine Mason, Computer Art Image of the Month - July 2011.

Audrey Moutat. Marion Colas-Blaise and Anne Beyaert-Geslin (supervision), The Metamorphose Meaning, PULIM, 2009, 290 pages. New Semiotic Acts [ Online abstracts ].

Beyond-Round presented by Bruno Trentini, La distraction esthétique : l’enjeu d’un danger in "Le risque esthétique", Droit de Cité, n° 1, October 2009

Body, Numbers, Light: Colour Phenomena of Eye-Ocean, online gallery of Colour: Design & Creativity, issue 4, December 2009.
Colour: Design & Creativity - is the online journal from Society of Dyers and Colourists (SDC), for the professional and academic colour and design community.

Sigolène Valax, Numbers, Abstraction, Sensuality. About Anne-Sarah Le Meur's Work, Eye-Ocean, in Siana, Iternational Week of Digital and Alternative Arts, "The Digital Technologies Imagination", 23 - 28 March 2009, Evry – France.
To be published

Weltbild, Kosmos, Bildwelten, 'Goldene Plotter - Computerkunst' Wettbewerb der Stadt Gladbeck, Deutschland, 2008.
World View-Kosmos-View Worlds, 'Goldene Plotter - Computer Art' Competition of the Gladbeck Museum, Germany, 2008, Exhibition Catalog, pages 54-55.

Digital Creation – Trends, Places, Artists, Musics & Digital Cultures >MCD<, M21 Editions, September 2008, 330 p.

Re-Imagining Animation, Paul Wells, Johnny Hardstaff, Darryl Clifton, AVA Academia, Septembre 2008, pages 8-9.

Oeil-océan, Month artwork, April 2008, Critical Observatory (see Archive, bottom of the page).

Patrick Burgaud, The Writing of an Electronic Artwork, an Author's Point of Vue (french pdf), 2007 (Festival d'e-poésie, 2007).

Digital Art(s), in Digital Creation /Pixel, nº 118, October 2006, Alain Lioret, Laetitia Sellam, Jef Tombeur, p. 34.

Viva Paci, in “Images from the Future: Lost and Found in the Images du Futur collection”, chapter “Sunless Images : 3D animation (1rst part)”, p8/11, Fondation Daniel Langlois, 2005

Pierre Bongiovanni, curator, artist
online interview in french, December 2005
Sklunk, number 2

Sandrine Maurial, theoretician, artist
" Anne-Sarah Le Meur's amorphes pixels "
in "A Luminous Alchimie : Pigment and Pixel Like Color Atoms ", p. 302-310
Ph.D. in Arts, defended in December 2005, Michel de Montaigne Bordeaux 3 University, 397 p.
English abstract in pdf

Melinda Rackham, artist, writer and curator,
« Wonderland - A Manifesto for 21st Century Immersive Works »
in Experimenta Vanishing Point, Mesh Issue #18, Australia, 2005, p.13-15.
« ISEA Nagoya: The delightful slowness of being »
Isea 2002, Japan

Edmond Couchot, Marie-Hélène Tramus, artists, theoreticians
« Gesto y calcul » / « Geste et calcul »
in Revista Educacion en Tecnologia, Vol No 1, Santafé de Bogotá, Colombia, I Semester, 1996.