Anne-Sarah Le Meur


3D Projects

- Aform
- Horgest
- In-BeesTw...
- Into the Hollow of...
    Where It Wants To...

Photos from reality

- Home lights
- Asies
- Mytable
- To rise
- Weary

Articles (all languages)

- Articles
- Quotations - references

Biography - CV


Articles and Talks


Images 3D counter-nature, in « Hybrid Dialogue : Images and Natures », Studyday 25 May 2018, Museu Universitário de Arte MUnA, Uberlândia, Brasil.
Organisation Nikoleta Kerinska, Uberlândia University.

Artistic 3D Images : Biomorphisms and organic matters, Talk-projection, selection of internationnal artworks by diverse artists generations, 27 April 2018, Museu Universitário de Arte MUnA, Uberlândia, Brasil. Organisation Nikoleta Kerinska, Uberlândia University. Published in Ouvirouver, Uberlândia, v.14, n.2, p362-378, Jul-Dec 2018.

The fine artistic 3D image
, work in progress and projection of an international selection of 3D image by Anne-Sarah Le Meur, 22 February 2018, Le Cube, Issy-les-Moulineaux.
Organisation Carine Le Malet, Le Cube.

From Code to Cosmos. Magical Thinking and Alchemy in my Creation Process of 3D Image, in « Digital Magic », colloquium, 13-14 November 2017, H2H/Les arts trompeurs. Machines, magie, médias - UPL - PEM in particular. To be published.

Beyond-Round. Counter-Intuitive Interactivity and Body Involvement
, in « The Actor through Digital Prism : Human Body, Digital Avatar and Living Arts », Studydays, 27-28 October 2016, Paris 8 University - Maison des Sciences de l’Homme Paris Nord.

To Look at or To Move-Act ? Plasticity and Temporality in Interactive Artworks", in Pictorial Pratices n° 2, online review, Acte Institut (CNRS - Paris 1 University), June 2016.

Artist Talk, in Summer Festival, Proekt Fabrika, Moscow, Russia, July 2015

3D Images in Love
, Le Cube, Issy-les-Moulineaux, June 2015

To Look at or to Move-Act. Temporality and Pictoriality in Interactive Art Pieces, 2nd study day 'SLOW DOWN PAINTING', Acte-CNRS Institut, Université Paris 1, mai 2015

Text Presence in Digital Arts
, MUDO, Musée de l'Oise, Beauvais, april 2015

My Approach. 3D Image and corporeality.
Michel Sicard
's Seminar, Paris 1 University, November 2014.

Temporalité abstraite
(Abstract Temporality), Anne-Sarah Le Meur interviewed by Natalia Smolianskaïa, in [re]penser les langages de l'art, dir. Natalia Smoliankaïa, E-magazine Rue Descartes, n° 80, 2014/1.

For an Absurd Way to Create 3D Image !
invited by Michael Bielicky, Institut for postdigital narratives, University of Arts and Design (HfG), Karlsruhe, Germany, May 2014.

3D Image and Programming: Artistic Twist
, invited by Miguel Almiron, EVMAN degree, Paris-Est Marne-la-Vallée University, Februar 2014.

Body, Numbers, Light : Colour Phenomena of Eye-Ocean.

Russich translation (Natalia Smolianskaïa), in Media: Between Magic and Technology. Edited by Nina Sosna and Ksenia Fedorova. Moscow-Ekaterinburg: Armchair Scientist, Russia, 2013. pp. 19-37.
... in CREATE Symposium (Colour Research for European Advanced Technology Employment), Charleville-Mézières, France, 21rst-24th February 2008 ;
... in Ulster Festival of Art & Design, Faculty of Art, Design and the Built Environment, Ulster University, Belfast, Northern Ireland, 6th June 2008 ;
... English version, in Digital Art, VRIC Conference Proceedings, Laval Virtual, April 2009, 414 p. ;
... French Version, in Communication, Organisation, Symboles, MEI n° 29, direction Claudine Batazi and Céline Masoni Lacroix, Editions L'Harmattan, March 2009, 216 p.

Beyond-Round, Counter-intuitive Interaction. Fictions and Interactions Seminar, Acte-CNRS Institut, Paris 1 University, December 2013.

To Learn to See the World, written interview, in the e-mag of ArtsHebdoMedias, Art & Sciences special number, October 2013.

Ligth-Thresholds, Dialogue with Maria Cosatto, Espace Culturel Multimédia Le Chaplin, Mantes-la-Jolie, Yvelines, Ile-de-France, June 2012

, in Dap, Devices that Alter Perception,
Carson Reynolds Editor, Japan, 2011. Sold online.

Image, Device, Interaction. Perception Plays in Outre-Ronde
, (french version)
Mobil/and Symposium, Superior School of Art and Design, Saint-Étienne, France, 13th May 2008.
in From split-screen to multi-screen. Spatially distributed video-cinematic narration, supervised Marcin Sobieszczanski and Céline Masoni Lacroix, Editions Peter Lang, November 2010

To Program the Image : Dynamic and Dangers for the Artistic Invention, (french version)

Eureka, The moment of invention, Paris 8 Vincennes – Saint-Denis University / Superior School of Industrial Physics and Chemestry, 31rst Mai - 1rst June 2007.
in Eurêka, « Arts 8 » Collection, L’Harmattan, November 2008, 312 pages.

The Line Alternative by Computer Generated Art,
Drawing Without Paper, Maubuisson Abbaye / Cerap (2005) ;
Publications de la Sorbonne, March 2009, p. 206-219.

Realising and Diffusing a Real Time 3D Panorama - An Artist's Way, demo-conference, Pierre Mendes France Space, Poitiers, 2006, unpublished.

In-Bees-Tw'…, A 3D Computer Artwork, (french version)
(Ph.D excerpt, Paris 8 University, 1999),
Spatialisation in Art and Humanities, direction Marcin Sobieszczanski, Peeters Publishers, 2004, p. 171-210. (french pdf)

Into the Hollow of Darkness, Realising a 3D Interactive Environment,
original version slightly modified
ISEA2002, Oray, Nagoya, Japan.
in Leonardo, Vol. 37, n° 3, USA, 2004, p. 204-209, 215.

3D Images and Sexuality,
ISEA2000, Paris, december 2000,
3D-Bilder und Sexualität,
in Das Alte und das Neue, Frauen und Film, n° 64, Germany, 2004, p. 145-153

The Representation of the Human Being in 3D Images (french pdf),
in Anomalie, n° 1, "From Body to Avatar", November 2000, p. 82-90.

Experimenting with Computer - Generated Images (french pdf),
in Notebooks of Digital, Direction Jean-Pierre Balpe, Hermès, Vol 1 - n°4, Paris, November 2000, p. 145-165.

Computer Art : Resistence of the Body,
ISEA1999, Invençao, Sao Paulo, Bresil.

Programming : Can it be Art ?,
in 9th Film and Television Symposium, 1997, Université Bauhaus Weimar, Germany, p. 328-334.

The Systematic Garden,
Der Systematische Garten,
in Wachsen, n°2, Summer 1996, Bauhaus Weimar University, Germany, p. 33-39.

Still Image, Animation, Virtual Reality : the Decay,
in Nov'Art, n° 9, November 1992-January 1993, Paris, p. 14-15.