Anne-Sarah Le Meur


3D Projects

- Aform
- Horgest
- In-BeesTw...
- Into the Hollow of...
    Where It Wants To...

Photos from reality

- Home lights
- Asies
- Mytable
- To rise
- Weary

Articles (all languages)

- Articles
- Quotations - references

Biography - CV




7 - 17 October 2020, Melting Rust, Festival des Cinémas Différents 22nd Edition, Grand Action, Paris.

Melting Rust, audio-visual performance, music by Jean-Jacques Birgé, 30 minutes.
Première in Victoria, Transylvanie, Roumanie, 2019.
Schedule to be annonced.

5 September - 3 October, Limit Light, Galerie Depardieu, Nice, France.

Solo show. 25 prints, including 2 bigs (133 x 150 cm) and one video triptych.
For safety reasons, the show will not have an opening.
I will be at the gallery on Saturday 5, Monday 7, Tuesday 8 September and on Saturday 3 October.

Press release (in french)
Galerie Depardieu, 6 rue du docteur Jacques Guidoni, 06000 Nice - France
Monday - Saturday / 2.30 - 6.30 PM

3 September - 25 October, 10 Years, Galerie Charlot, Paris.

Group show with Antoine Schmitt, Dominique Pétrin, Eduardo Kac, Eric Vernhes, Flavien Théry, Laurent Mignonneau & Christa Sommerer, Manfred Mohr, Nicolas Sassoon, Nikolas Chasser Skilbeck, Quayola, Sabrina Ratté, Thomas Israel, Zaven Paré.
Opening : Thursday 3, Friday 4 and Saturday 5 September.
Galeries Sunday : 13 September.
Press release (bilingual)
Galerie Charlot, 47 rue Charlot, 75003 Paris

5 - 14 June, Fragilities, Group show, La Ruche, Paris.

RE-OPENED EXHIBITION : 5 - 14 JUNE / Daily 4.00 - 8.00 PM / WE 2.00 - 8.00 PM
With Régis Rizzo, Beatriz Guzman Catena, Eizo Sakata, Manuel Lajoa.
Paintings, drawings, sculptures and digital pictures
Organization : Régis Rizzo
La Ruche,
2 Passage Dantzig, 75015 Paris
Opening Thursday 12 March 6 PM

Exhibition video (with 4 languages subtitles)
La Ruche, Fragiles occurrences
, Véronique Godé, ArtsHebdoMedias, 13 June 2020

11 March - 17 May, Omni-Vermille, Le Meur - Birgé, ZKM, Karlsruhe, Germany.

Installation of 6 synchronous projections, real time 3D, music by Jean-Jacques Birgé.
Omni-Vermille is the polyptych version (2 to n screens, video record or real time presentation, with or without music) of Vermille, generative mono-screen piece, infinite length, silent, 2018.
Aknowledgment : Antoine Schmitt, Clara Runge
Cube Subspace (Glassroom under the Cube), dailly, 18.00 - 24.00
ZKM, Center for Art and Media Karlsruhe
Lorenzstraße 19, 76135 Karlsruhe, Germany
Card Video archive 1 Video archive 2

Omni-Vermille, vernie ! article by Jean-Jacques Birgé, 12 March 2020
Omni-Vermille music, composer Jean-Jacques Birgé, online
Anne-Sarah Le Meur déploie Omni-Vermille, Philippe-Etienne Masséna, in ArtsHebdoMedia, 15 May 2020

18 January - 2 February 2020, Anne-Sarah Le Meur : Scarlet Numbers, Ancienne Église, Maisons-Laffitte.

Large prints and other formats, interactive installation (Beyond-Round) and projection of former pieces.
Friday 17 January, 7 PM : opening. Invitation card.
Saturday 25 January, 4.30 PM
: Conference by Jean-Rodolphe Loth with the artist.

Ancienne Église, Place de la Vieille Église, 78600 Maisons-Laffitte
Free entrance. Access map
Video interview made for the Cultural season opening
Exhibition pictures >> Facebook
Online article : blog de Jean-Jacques Birgé
, relayed by ArteFake


7 November - 6 December 2019, 'Orase utopice / Societati programate. Utopic Cities, Programmed Societies',
Fabrica de Pensule, Cluj, Romania.

Group show, presenting the results of artistic residencies in Victoria City, spring and summer 2019, and publication of a newspaper. >> Facebook
Organisation : Dana Diminescu and Tincuta Heinzel
Fabrica de Pensule
Henri Barbusse 59-61
Cluj-Napoca, Cluj,

12 October 2019, 'Black holes. Cosmic metaphores and plastic stimulations'
, Paris 8 University, Saint-Denis.

Talk on my creation process in Manuela De Barros's seminar "Sciences & Fictions"

24 August 2019, Melting Rust, Victoria (Transylvania), Roumania.

Performance with Jean-Jacques Birgé, real time 3D and music improvisation
Organisation : Dana Diminescu and Tincuta Heinzel
With pieces by Irina Bucan Botea & Jon Dean, Stefan Constantinescu, Pauline Vierne, Céline Berger, Andra Jurgiu et Daniel Pop.
Maison de la Culture, Victoria, Roumania

video recording live

15 - 31 March 2019, Du code à l'œuvre - When Code Becomes Form, Plateforme, Paris

Group exhibition with Fleuryfontaine, Ianis Lallemand, Soliman Lopez, Claire Malrieux.
I will show a print and a video triptych from Vermille.
Curator Dominique Moulon
Opening Friday 15 Mach, 6 - 10 PM, with a audio-visual performance by Tatsuru Arai at 9.30 PM in Espace en cours.
Plateforme (contact, schedule)
73 rue des Haies, Paris 75020

Article : « Artistic 3D Images : Biomorphisms and organic matters

French text in Ouvirouver, Sensações cinéticas: Palatnik e o movimento como tema nas artes visuais, Uberlândia, v.14, n.2, p362-378, Jul-Dec 2018.

16 November 2018 - 2 February 2019, Pink Apotheosis, Galerie Charlot, Paris

Solo show bringing together prints, video and generative artworks.
Opening : thursday 15 November 6.00 PM - 9.00 PM >> Facebook
Finissage Thursday 24 January 7.00 PM - 9.00 PM
Bilingual press pack
Galerie Charlot
47 rue Charlot, Paris

Online press
quoted in Dominique Moulon, Plurality of Digital Practices, in Art the the digital Age, 18 January 2019, Partita project.

Marie-Laure Desjardins, De la fascination à la contemplation du rose, in ArtsHebdoMedia
Pauline Lisowski
, « Rose Apothéose » : Trouble de la perception, in Inferno
Sébastien Bazou, Anne-Sarah Le Meur / Rose Apothéose, in Artefake, l'art de l'illusion
Rose Apothéose, Wall Street International

15 September - 21 October 2018, 2nd International Digital Art Triennal, Szekszárd, Hungary.

International competition and group exhibition. The first triennale (2015) counted 100 participants. A catalogue will be printed.
Curator Ágnes HAász, president of the Hungarian Electrographic Art Association.
House of the arts,
Szent István tér 28
Szekszárd, 7100 Hungary

14 July - 27 October, Generative Landscape, Galerie Charlot, Tel Aviv, Israel

Group exhibition with Antoine Schmitt and Eric Vernhes.
Opening : 19 July
Galerie Charlot Tel Aviv (on appointment only)
14 Kikar Kedumim - Tel Aviv-Yafo - Israel

26 January - 13 July 2018, Into the Hollow of Darkness, Retrospective show, Le Cube, Issy-les-Moulineaux
, France
Opening : Thursday 25 January, 7 - 10 pm.
Finishing : Thursday 12 July, 6.30- 9 pm.

In a separate 'lounge' room, all the animations (since Aforme, 1990) and the Grey-Moire performance edition. In the main room, on video screens, 2 generative pieces, Eye-Ocean, as a mono screen piece, and Vermille, as a 2 screens version. In parallel, a dialogue between my still life photographs and 3D image prints. And, till 31 March : in the 'Black box', Beyond-Round, an interactive cylindrical installation.
Thursday 22 February, 8.30 pm
: The Nice Artistic 3D Image : presentation of her work in progress and projection of a international 3D image selection by Anne-Sarah Le Meur.

Le Cube, Centre de création numérique

20, Cours Saint Vincent, 92130 Issy-les-Moulineaux (close parisian suburb)
Press :
Anne-Sarah Le Meur, pionnière du numérique, Journal des Arts, by Stéphanie Lemoine · L'ŒIL, 26 March 2018.

Une plongée séduisante dans l'abstraction en 3D, by Alix Saint-Martin, Hauts-de-Seine department Magazine HDS Mag n°58, March-April 2018, p. 44-45.
Les lumières obscures d'Anne-Sarah Le Meur, words gathered by Anne Brandebourg (journalist and art historian), in Vallée de la Culture, Hauts-de-Seine Cultural Magazine, n°17, summer 2018, p. 24-27.

Documentation out of the site :


Eye-Ocean, 14 minutes, silent, 2005.
Vimeo online since 2012

Interview on Beyond-round, 3 minutes
ZKM_Karlsruhe, 2011 (in english).


Bilingual press packs, Galerie Charlot, Paris : 2018-2019, 2016, 2014, 2012

Beyond-Round, 5 minutes, silent, 2009.
Vimeo online since 2012.

Runnable version, downloadable the 20th of every month, for a 5 days period
, visual part of the interactive panoramic installation Beyond-Round
HALT in September 2012 because the piece has been purchased (one copy on three).

Images recorded in february 2006