Anne-Sarah
Le Meur
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Into The Hollow of Darkness
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Beyond-Round. (Lentir, sentir, sondre).
Beyond-Round.
Anne-Sarah Le Meur, exhibition,
ZKM,
Karlsruhe, Germany, 26 August - 4 September 2011.
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Interaction 2003 - 2008
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Illustrations 2008
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Video documentations, 2008, 2009, 2011
.... Residency-exhibition,
Pixels Transversaux, Sèvres, September 2009
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Chaplin exhibition, Mantes-la-Jolie, Mai-June 2012
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Exhibition at RuArts Gallery, Moscow, June-July 2015
.... Cube
retrospective exhibition, Issy-les-Moulineaux, January-July 2018
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Exhibition at the Old Church, Maisons-Laffitte, January 2020
The ZKM, (ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe / Center for Art and Media, Karlsruhe), founded in 1989, is a world known institution, mainly specialized in the arts using technologies.
Invitation card, useful informations / Text
Videocast (english interview made at ZKM)
My thanks to Homeira Abrishami for her help in graphic design,
and to Peter Weibel, ZKM Director.
Exhibition photographs
Technical outcomes
Exhibition photographs :
Kubus_ZKM is a concert and acoustic recording room. Large, totally dark, and phonetically isolated, it is an ideal place to exhibit Beyond-Round.
Kubus lighted, outside moments of interaction. The cylindrical screen and the computer (on the table) are put in the same room. Chairs can be used by viewers that would like to stay and look at the interaction from the inside of the cylinder.
Kubus in darkness, screen being tested. Corridor to access Kubus.
According to the viewer's behaviour, colors vary and can become very intense, or on the contrary stay in the grey tones.
To the top
Technical outcomes :
Each exhibition of Beyond-Round let me improve the interaction, according to my observation of the diverse interacting spectators' behaviours. Thanks to the ZKM exhibition I simplified in a more sensitive way the 'Slow tango' phase. Similarly, variations of the final contemplative phase were expanded in time.
Thanks to Bernd Lintermann, screen calibration was ideally made : the image runs on the cylinder, from one projector to the other, seamless, either vertically or horizontally. The camera settings were simplified by Didier Bouchon.
A new and lighter helmet (resin, fast prototype) was conceived by Zandrine Chiri (Interface-Z).
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